Custom Prints by TOZZOPHOTO

For images not available via Zazzle, or for custom sizes and posters, fill out the form below
and we will email you with a price within 24 hours. Prices listed below.

 

Custom Prints

Size
Price (does not include shipping)
8 x 10
25
11 x 17
50
16 x 20
75
20 x 30
100

 

  

Headshot Retouching

$50 per image

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Headshot Retouching

 

 

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License TOZZOPHOTO Photographs

TOZZOPHOTO images may be licensed for commercial use. Prices listed below.

Editorial use

Newspaper / magazine editorial

Size \ Circulation 1/4 1/2 3/4 Full page Cover
<20,000 220 275 330 385 770
20-49,999 250 315 375 430 860
50-99,999 275 345 415 480 960
100,000-249,999 300 375 450 530 1060
250-499,999K 330 415 495 580 1160
500-999,999K 385 480 580 670 1340

 

  

Textbook / other editorial

Print run \ Size 1/4 page 1/2 page 3/4 page Full page Front / back cover
<20,000 175 210 245 280 615
20-39,999 200 240 280 320 700
40-99,999 260 315 365 420 910
100-499,999 290 350 405 465 1015
500-999,999 365 440 510 580 1270

 

 

Advertising use

Magazine advertising

Circulation \ Size 1/4 page 1/2 page 3/4 page Full page Front / back cover
<20,000 385 510 640 770 1155
20-49,999 450 600 750 900 1350
50-99,999 515 685 855 1030 1545
100,000-249,999 575 765 955 1150 1725
250-499,999K 640 850 1065 1280 1920
500-999,999K 770 1025 1280 1540 2310
 

Newspaper advertising

Circulation \ Size 1/4 page 1/2 page 3/4 page Full page Front / back cover
<100,000 315 420 525 630 1155
100-249,999 370 490 615 740 1350
250-499,999 400 535 665 800 1725
500-1,000,000 525 700 870 1050 1920

 

 

    

Other promotional use

Print run \ Size 1/4 page 1/2 page 3/4 page Full page Front / back cover
<5000 315 390 475 550 785
5000-19,999 370 460 555 645 957
20-49,999 420 525 630 735 1050
50-99,999 475 595 715 830 1185
100-249,999 550 685 825 960 1375
250-499,999 630 790 945 1100 1575
500-1,000,000 790 990 1185 1380 1975

 

  

Web Site use

Placement Price
Home Page 75
Internal Page 50
Entire Site 100

Image Request Form (Items in BOLD are required)

First name:
Last name:
Email address:
Phone:  Country code Number
Title:
Company:
Street address:
Address line 2:
City / Town:
State / Region:
Zip / Postal code:
Country:
Images I'm interested in:
Custom Print Size:
Image size:
Image use:
Print run:
Geography:

<body> <table width="75%" border="0"> <tr> <td>New York City Street Photographer, street Photography Artist, and New Jersey Street Photographer Roy Caratozzolo displays his Street Photography, Lithography, and Digital Art in the Tozzo Project - An Online Street Photography Portfolio by a Street Photographer in New Jersey and New York City. New York City and New Jersey Street Photography and lithography by New Jersey Street Photographer Roy Caratozzolo. I am a Street Photographer in New Jersey. I study Street Photography and think about Street Photography each day. Everything I do revolves around Street Photography. Do you enjoy Street Photography? If so, please view my Street Photography on my Street Photography web site, under the section Street Photography. My lithography is located in the Street Photography section as well. If you like my Street Photography or lithography, please let me know. You can even send me some of your Street Photography or lithography. Then we can compare each others Street Photography and lithography. I enjoy Street Photographers who shoot on the street or in undefined places. Two Street Photographers who stick out most are Winogrand and Weegee. Both street Photographers, they consistently captured the scenes we all miss. Their ability to compose a shot out of the mundane is fuel for my eye. To see things in areas and places that we all look at, but do not SEE, is what these Street Photographers have captured and brought fourth to us. I learned how to photograph while in high school in New Jersey. I got a manual SLR camera, a Ricoh XR-1 and learned how to expose and shoot manually. I immediately enjoyed the scenes I could capture and I found it provided a satisfaction inside of me that nothing else that interested me at the time could. I then would shoot for anyone who needed a Street Photographer; the yearbook, the school newspaper, friends, family, anyone. College was on the horizon, so I decided to major in it at the University of Connecticut art school where I got my BFA in 1994. I realized long ago that people like to "read" photographs. I shoot with film, but the computer does play a role. I scan every image I like and correct it for color, and remove all dust and scratches. It is from these digitally edited images that I make all my prints from. I rarely use the negative to make a photo any longer. When I do it will be for a black and white image. There is something about film that digital images cannot compete with--color and fidelity. I can anticipate the look of my images depending on the film I use. I can also use film for certain needs. Every Street Photographer is different, for each of our eyes see slightly differently, so some may disagree. Film also has a higher fidelity than digital shots. I knew that Street Photography would thrive off of the computer, for the computer has replaced the darkroom, even for a traditional Street Photographer like myself. Once my film is developed, the computer is used. This is a technique I accepted without even realizing that I had abandoned the darkroom. Street Photography is filled with chemicals, especially in the darkroom, so to do the same thing without them is a natural progression. I do believe though, that traditional techniques will never go away fully, and that soon we will see a resurgence in traditional techniques as we are beginning to get saturated with Street Photography and cameras again. Just the other day I saw a commercial by HP "welcome to the new age of Street Photography, you are the Street Photographer and the photo lab." It will be interesting to watch film die. An over 100 year old tool transplanted by electronics.</td> </tr> </table> </body>